A workshop on mould making and silicone casting, held in April 2016 and attended by seven people. It grew out of the interest members had taken in Eugene Pik's pewter castings, and covered using oven-hardening resins for the originals and encasing them in a two-part flexible silicone; a second part was to take the method further. Reported in the Society's newsletter for Spring 2016, page 3, which also points readers to these very photographs on page 10.
Two men work together mixing material in a small cup at a pewter casting workshopA man lifts a stirring stick from a cup while another man watches at a pewter casting workshopA workshop table covered with brown paper, coloured modelling clay, rollers, cutters and suppliesPurple, green, pink and blue modelling clay shapes in small dishes with tools on brown paperMembers work at a crowded table, one man in safety goggles passing a box to a womanA woman pours from a blue bottle into a cup as two men sit at the casting workshop tableA man stirs a cup of white mould mix while another man steadies it at the tableA tabletop of coloured clay models in dishes, rollers, cutters and paper towels at a casting workshopHands pour white powder from a blue bottle into a measuring cup with a stick to stirMembers sit around a workshop table shaping coloured clay models for pewter castingA pink clay model sits in a white dish of freshly poured mould materialA man pours from a yellow tin into a cup of mould mix as two other men watchA man stirs a raised cup of mixture while two other men stand by the casting workshop tableA woman stirs a cup of mould mix at the table as three men look onA man holds up a cup and stirs it while two men watch in a workshop roomMembers work on small clay models at a long table with a pasta machine and suppliesA man heats pewter in a small toaster oven at a workbench during a pewter casting workshopA man stirs a cup of mould mix at a table lined with small cups of coloured modelsTwo clay brooch models of pink roses on yellow leaves in a dark pan, held in a handA man shakes a blue container over a table at a pewter casting workshopTwo clay rose models dusted with white powder in a dark metal panAn air blower clears powder from two clay rose models in a metal panPolymer clay, the modelling material for part 1 of the workshop, March 2016
Photographs in the Photo Gallery are free to reuse for non-commercial purposes, with credit to the Canadian Society for Creative Leathercraft archive (CC BY-NC 4.0). How to use and credit them